I made a quick detour through the Wimmera Mallee whilst returning to Encounter Bay after walking in Wilsons Promontory for 7 days with the bushwalking group of Retire Active SA. We had traveled up to Mansfield and the Victorian high … Read More
I have finally put together a pdf of a new limited edition Mallee Routes photobook in collaboration with Paul Atkins from Atkins Lab. Paul’s knowledge and help with the book design and the editing of the images was crucial the … Read More
I am planning to make a quick return to the Jung and Murtoa region in the Wimmera Mallee whilst Suzanne is walking in Lord Howe Island. I am piggybacking on spending a weekend (6th-8th September) with the Friends of Photography … Read More
Prior to the Wentworth photocamp on the Darling River I spent some time in the Victorian Wimmera thinking about, and scoping for, a series of images that I planned to call the Yarriambiack suite. Would this be a goer? The … Read More
I am planning to go on a photocamp at Wentworth and the lower Darling River next Thursday (25th of April) for the Mallee Routes project. I want to travel slowly to Wentworth as I need to spend time in the Wimmera Mallee … Read More
I am off to Melbourne to attend the Melbourne Art Book Fair 2019 at the NGV and to see what is happening in the world of Photobooks. I plan to make a detour via the Wimmera Mallee as the weather … Read More
In a couple of days I am off on a roadtrip to Balranald in NSW for a winter photocamp with Gilbert Roe. I need to make some photos for the forthcoming exhibition at the Murray Bridge Regional Gallery in February … Read More
Can trauma be connected to a topographic approach to photographing the Mallee? I have been mulling over this whilst I put the Mallee Routes project aside for a month or so, so that I could work on the Adelaide Photography … Read More
This scoping photo of silos at Birchip in the Wimmera Mallee is a deadpan image of an unexpressive and repetitive subject that appears impersonal, blank and boring. It repeats the same idea–silos in the landscape— in different ways. It avoids the artistic subjectivity and narrativity represented by photojournalism. There is no event in the picture and there is little human interest. … Read More
