I leave Encounter Bay tomorrow for a 5 day photocamp at Morgan in South Australia with Gilbert, even though it is a little late in the year to be photographing in the SA Mallee. I haven’t been able to get away on a phototrip to the Mallee as I’d previously planned, due to the need to kickstart the Adelaide Photography 1970-2000 book. I am hoping that the weather in early November is… Read More
Can trauma be connected to a topographic approach to photographing the Mallee? I have been mulling over this whilst I put the Mallee Routes project aside for a month or so, so that I could work on the Adelaide Photography 1970-2000 book, which is to be produced by Adam Dutkiewicz and myself for Moon Arrow Press in 2018. The Adelaide Photography project has been kickstarted, as it were, and the break has been beneficial. The… Read More
This scoping photo of silos at Birchip in the Wimmera Mallee is a deadpan image of an unexpressive and repetitive subject that appears impersonal, blank and boring. It repeats the same idea–silos in the landscape— in different ways. It avoids the artistic subjectivity and narrativity represented by photojournalism. There is no event in the picture and there is little human interest.
In late July Gilbert Roe and myself had a 5 day camp at Lake Lascelles in Hopetoun, which is in the northern western part of the Wimmera Mallee in Victoria . It was a winter camp and it was very cold at night with sub zero temperatures in the early morning. On the last morning of the camp there was heavy fog in Hopetoun, which meant a midday departure, since the tent’s fly… Read More
I had planned to go on a roadtrip to the Mallee this week on my own, but an infected tooth has seen that trip cancelled. Instead I am reading Don Watson’s book The Bush: Travels in the Heart of Australia (2016). From what I can gather the book is based Watson buying a 4WD in 2009 and setting off across the eastern part of the country on a road trip. Along the way he… Read More
Photographing the rural landscapes of the Mallee country needs to be distinguished from the idyllic pastoral tradition in Australian visual culture that in the Heidelberg tradition emphasised the tamed farmland with its abundance of natural resources. The artists represent this in the almost mandatory blue and gold palette. This form of pastoralism refers to representations of a rural landscape during the European colonial settlement of the land, with its sheep grazing and cropping,… Read More
In a previous post I mentioned how I had reconnected to an old photo trip that I made in the 1980s in the VW Kombi to Mantung and Galga in the South Australian Mallee. However, I didn’t mention that I had some re-photography possibilities in mind. On the earlier trip I made several black and white photos with a large format camera ( these are in my film gallery on the Mallee Routes website), and… Read More
I made a day trip into the South Australian mallee along the Karoonda Highway on Tuesday. Elders Weather website said that there would be rain, cloud and sunshine on that day–conditions that are more congenial for my style of photography than the blues skies and sunshine that was forecast for the next 5 days including Easter. The dryland region along the Karoonda Highway was new territory for me, as I’d only… Read More
The latest issue of the Griffith Review is No 55 and it is about the future of a post-colonial South Australia. The issue is entitled State of Hope and it is edited by Julianne Schultz and Patrick Allington and it consists of short essays and memoir, fiction pieces and poetry, and photo stories. Authors include Robyn Archer, John Spoehr, Peter Stanley, Angela Woollacott, Kerryn Goldsworthy, Chris Wallace, Dennis Atkins, Nicholas Jose, and Ali Cobby Eckermann. This is an Adelaide and… Read More
People are leaving the countryside and moving to the more prosperous towns and cities. As young people depart, they leave small towns and hamlets of empty houses and shuttered shops, of closed schools and cafes, and a greying population.