In this post I mentioned that I would be staying at Kapunda during mid-August spring camp with with Suzanne’s Lavender Trail walking friends. I planned to go off daily into the Murray Mallee to make photographs for the Eye on the Mallee project, whilst the others continued with walking the trail around the Eudunda area. The camp turned out somewhat differently to what I’d planned. I photographed around Kapunda, Eudunda and Robertstown;… Read More
Surprisingly, the Wimmera Mallee trip turned out to be an addition to the Mt Arapiles photo-session with the Melbourne-based Friends of Photography Group, rather than the reverse. The reverse was what I’d mapped out prior to going on the photo trip. My time and energy was taken up grappling with the nature photography at Mt Arapiles, rather than actually spending lots of time photographing in the Wimmera Mallee. The latter is what… Read More
I mentioned in an update on the Claypan post that I needed to make another trip to the Copeville and Galga area of the South Australian Murray Mallee to pick up where I’d have left off. As I mentioned, the previous trip had been cut short, as I’d neglected to take my sleeping bag; and it was too cold to continue sleeping in my clothes in the swag in the early winter… Read More
The exhibition at Murray Bridge Regional Gallery in South Australia has been shifted to 2019/2020 and it has been given larger space–the main gallery. The exhibition is a summing up exhibition of the 1st 3 years of the collaborative Mallee Routes project between Eric Algra, Gilbert Roe and myself.
The exhibition at the Swan Hill Regional Art Gallery has finished, and Gilbert Roe and I decided to add on a photo-camp at Lake Boga when we picked up our prints from the gallery. The photo-camp, even for a few days, would allow us to explore the Mallee region around Swan Hill, and to build on the new beginnings that had we had either briefly scoped or seen whilst we were in Swan Hill… Read More
This scoping photo of silos at Birchip in the Wimmera Mallee is a deadpan image of an unexpressive and repetitive subject that appears impersonal, blank and boring. It repeats the same idea–silos in the landscape— in different ways. It avoids the artistic subjectivity and narrativity represented by photojournalism. There is no event in the picture and there is little human interest.
One innovative representation of the Victorian Mallee that I came across whilst on the Hopetown phototrip in 2016 was the murals that were being painted on the silos throughout the Victorian north-west Mallee. One notable example was the mural on GrainCorp’s disused silo at Brim, which had been painted by the Brisbane street artist Guido van Helten in collaboration with the local community. This site has become a tourist icon in the Wimmera, judging by the number… Read More
I have another Mallee trip planned in early November with my base camp being at Murrayville. So I took the opportunity whilst traveling along the Calder Highway between Ouyen and Mildura to rendezvous with Judith Crispin to go to Lajamanu in the northern Tanami Desert to do a little exploring and photographic scoping. As I hadn’t been on the Calder Highway before so I was interested in seeing what this part of… Read More