Prior to the Wentworth photocamp on the Darling River I spent some time in the Victorian Wimmera thinking about, and scoping for, a series of images that I planned to call the Yarriambiack suite. Would this be a goer? The trip involved a lot of travelling. I went to Wentworth via the Dukes Highway and the Victorian Wimmera (Murtoa, Donald, Lake Boga and Swan Hill) and I returned to Encounter Bay via… Read More
I am planning to go on a photocamp at Wentworth and the lower Darling River next Thursday (25th of April) for the Mallee Routes project. I want to travel slowly to Wentworth as I need to spend time in the Wimmera Mallee region, retracing my steps from an earlier exploration. I will probably stay over night at Murtoa or Donald before going onto Wentworth. My plan in the Wimmera is very dependant on the… Read More
I am off to Melbourne to attend the Melbourne Art Book Fair 2019 at the NGV and to see what is happening in the world of Photobooks. I plan to make a detour via the Wimmera Mallee as the weather forecast is for overcast cloud cover and cool conditions around the Horsham region. It is forecasted to be hot and sunny on the return leg to Adelaide, which is not good conditions… Read More
In a couple of days I am off on a roadtrip to Balranald in NSW for a winter photocamp with Gilbert Roe. I need to make some photos for the forthcoming exhibition at the Murray Bridge Regional Gallery in February 2019. I am squeezing the roadtrip inbetween finishing working on the photos for the SALA festival exhibition and the opening of the actual exhibition with Stuart Murdoch on the 3rd August at the… Read More
Can trauma be connected to a topographic approach to photographing the Mallee? I have been mulling over this whilst I put the Mallee Routes project aside for a month or so, so that I could work on the Adelaide Photography 1970-2000 book, which is to be produced by Adam Dutkiewicz and myself for Moon Arrow Press in 2018. The Adelaide Photography project has been kickstarted, as it were, and the break has been beneficial. The… Read More
This scoping photo of silos at Birchip in the Wimmera Mallee is a deadpan image of an unexpressive and repetitive subject that appears impersonal, blank and boring. It repeats the same idea–silos in the landscape— in different ways. It avoids the artistic subjectivity and narrativity represented by photojournalism. There is no event in the picture and there is little human interest.
In late July Gilbert Roe and myself had a 5 day camp at Lake Lascelles in Hopetoun, which is in the northern western part of the Wimmera Mallee in Victoria . It was a winter camp and it was very cold at night with sub zero temperatures in the early morning. On the last morning of the camp there was heavy fog in Hopetoun, which meant a midday departure, since the tent’s fly… Read More
One innovative representation of the Victorian Mallee that I came across whilst on the Hopetown phototrip in 2016 was the murals that were being painted on the silos throughout the Victorian north-west Mallee. One notable example was the mural on GrainCorp’s disused silo at Brim, which had been painted by the Brisbane street artist Guido van Helten in collaboration with the local community. This site has become a tourist icon in the Wimmera, judging by the number… Read More
My experimentation with photographing in black and white film and with industrial abstractions whilst on the Hopetoun Mallee trip in 2016 was not very successful.
I took the opportunity to make a side-trip into the Victorian Mallee when I was transporting the prints from the Weltraum and Abstraction x 5 exhibitions to my fellow photographers—Stuart Murdoch, Judith Crispin and Jeff Moorfoot-— to the pick-up points of the Ballarat/Lyonville meet up near Melbourne. It was a quick side-trip. I drove north-east from Horsham into the Wimmera-Mallee passing through Jung, Murtoa, Rupanyup and Marnoo to St Arnaud, before then driving… Read More