This kind of late photography in the era of television and newer technologies turns up late, wanders through the places where things have happened, and explores the effects of the activity of a world gone. Though people are absent in this photography of traces, fragments, empty buildings there is a lot of remnants of activity
On my last photocamp at Balranald I photographed in and around the Yanga Station including the Woolshed and the homestead.
I leave for another road trip to Balranald early Tuesday (11th September) morning. I need to build up some large format images for the forthcoming collaborative Mallee Routes exhibition at the Murray Bridge Regional Gallery early in 2019. I just don’t have enough work for this last collaborative exhibition, and I need to make the pictures before it becomes too hot to photograph in the northern Mallee. I plan to camp… Read More
What I wanted to avoid was a melancholy interpretation; namely, photographing the Mallee was a form of nostalgic mourning for a form of life that has passed away.
Whilst I have been working on images to build up my digital and film galleries I have been searching for some Australian antecedents to my documentary approach to photography for the Mallee Routes project. Who has been here before? What approach to documentary photography did they take? Is there a body of work that exists in the archives? Or do the archives mostly consist of vernacular photography as the history gallery is… Read More
This archival gallery provides the historical context, and reference point, for the contemporary images in the other Mallee Routes’ galleries. Most of these archival photos of the history of the Mallee were found in the National Library of Australia’s Trove collection or the Victorian State Library. One valuable resource in this archive is the Bill Boyd Photographic Collection in the Museum Victoria Collections. Most of the vernacular photographs in the Boyd collection were taken between… Read More