Whilst I was on the Morgan photo camp in 2017 I decided to incorporate some 5×4 black and white photography into the Mallee Routes project through photographing this rusty water tank with the Sinar F2 monorail. I wanted a bit of grittiness and punch, and I thought that using a large format camera and 5×4 black and white sheet film would be suitable for some bleak subject matter. This I thought would… Read More
The exhibition at the Swan Hill Regional Art Gallery has finished, and Gilbert Roe and I decided to add on a photo-camp at Lake Boga when we picked up our prints from the gallery. The photo-camp, even for a few days, would allow us to explore the Mallee region around Swan Hill, and to build on the new beginnings that had we had either briefly scoped or seen whilst we were in Swan Hill… Read More
After seeing how successful the history section worked when it was integrated into the contemporary photos in the 2018 Mallee Routes exhibition at the Swan Hill Regional Art Gallery, I remembered that I had some black and white 35mm negatives of the Murray Mallee in my photographic archives. Over the weekend I went back and looked at the contact sheets of the pictures from my initial exploration of the South Australian Mallee… Read More
The post’s title new beginnings refers to me starting to scope work for the 2018 section of the Mallee Routes project whilst I was at Swan Hill for the exhibition at the Swan Hill Regional Art Gallery. This is new work for the upcoming group exhibition at the Murray Bridge Regional Gallery in early 2019. I want to present new work that has been made during 2018, rather than old… Read More
Exhibiting Mallee Routes at the wonderful Swan Hill Regional Art Gallery in Victoria opened on Friday the 23rd March, was a great experience. The exhibition was the result of a years work photographing the South Australian and Victorian Mallee by Eric, Gilbert and myself Mallee after our initial exhibition at Atkins Photo Lab in Adelaide in late 2017. It was a successful opening with Mark Thomson giving an excellent opening speech based around… Read More
The second exhibition of the Mallee Routes project is coming up. It will be at the Swan Hill Regional Art Gallery from 23rd of March to the 6th of May 2018. The exhibition represents new work, namely work that has been made by Eric Algra, Gilbert Roe and myself since our initial exhibition at the Atkins Photo Lab’s gallery in late 2017. The Swan Hill exhibition will include a historical dimension… Read More
The history of water in the 20th century was one of piping water to the storage dams located across the region via the earthen, gravity-fed Wimmera Mallee Domestic and Stock Channel System. This system extended from the Grampians in central western Victoria to Ouyen and Manangatang in the north, Underbool in the west and Korong Vale in the east.
I leave Encounter Bay tomorrow for a 5 day photocamp at Morgan in South Australia with Gilbert, even though it is a little late in the year to be photographing in the SA Mallee. I haven’t been able to get away on a phototrip to the Mallee as I’d previously planned, due to the need to kickstart the Adelaide Photography 1970-2000 book. I am hoping that the weather in early November is… Read More
Can trauma be connected to a topographic approach to photographing the Mallee? I have been mulling over this whilst I put the Mallee Routes project aside for a month or so, so that I could work on the Adelaide Photography 1970-2000 book, which is to be produced by Adam Dutkiewicz and myself for Moon Arrow Press in 2018. The Adelaide Photography project has been kickstarted, as it were, and the break has been beneficial. The… Read More
This scoping photo of silos at Birchip in the Wimmera Mallee is a deadpan image of an unexpressive and repetitive subject that appears impersonal, blank and boring. It repeats the same idea–silos in the landscape— in different ways. It avoids the artistic subjectivity and narrativity represented by photojournalism. There is no event in the picture and there is little human interest.