In a couple of days I am off on a roadtrip to Balranald in NSW for a winter photocamp with Gilbert Roe. I need to make some photos for the forthcoming exhibition at the Murray Bridge Regional Gallery in February 2019. I am squeezing the roadtrip inbetween finishing working on the photos for the SALA festival exhibition and the opening of the actual exhibition with Stuart Murdoch on the 3rd August at the… Read More
Can trauma be connected to a topographic approach to photographing the Mallee? I have been mulling over this whilst I put the Mallee Routes project aside for a month or so, so that I could work on the Adelaide Photography 1970-2000 book, which is to be produced by Adam Dutkiewicz and myself for Moon Arrow Press in 2018. The Adelaide Photography project has been kickstarted, as it were, and the break has been beneficial. The… Read More
This scoping photo of silos at Birchip in the Wimmera Mallee is a deadpan image of an unexpressive and repetitive subject that appears impersonal, blank and boring. It repeats the same idea–silos in the landscape— in different ways. It avoids the artistic subjectivity and narrativity represented by photojournalism. There is no event in the picture and there is little human interest.
In late July Gilbert Roe and myself had a 5 day camp at Lake Lascelles in Hopetoun, which is in the northern western part of the Wimmera Mallee in Victoria . It was a winter camp and it was very cold at night with sub zero temperatures in the early morning. On the last morning of the camp there was heavy fog in Hopetoun, which meant a midday departure, since the tent’s fly… Read More
One innovative representation of the Victorian Mallee that I came across whilst on the Hopetown phototrip in 2016 was the murals that were being painted on the silos throughout the Victorian north-west Mallee. One notable example was the mural on GrainCorp’s disused silo at Brim, which had been painted by the Brisbane street artist Guido van Helten in collaboration with the local community. This site has become a tourist icon in the Wimmera, judging by the number… Read More
My experimentation with photographing in black and white film and with industrial abstractions whilst on the Hopetoun Mallee trip in 2016 was not very successful.
I took the opportunity to make a side-trip into the Victorian Mallee when I was transporting the prints from the Weltraum and Abstraction x 5 exhibitions to my fellow photographers—Stuart Murdoch, Judith Crispin and Jeff Moorfoot-— to the pick-up points of the Ballarat/Lyonville meet up near Melbourne. It was a quick side-trip. I drove north-east from Horsham into the Wimmera-Mallee passing through Jung, Murtoa, Rupanyup and Marnoo to St Arnaud, before then driving… Read More
With the initial exhibition of the Mallee Routes project Atkins Photo Lab finishing at the end of November I interrupted the archive project I was working on to go on a photo roadtrip to Hopetoun to build up my archive for the next exhibition, which has been planned to take place in 2017. Two overcast days after a big storm provided me with an opportunity to spend several days in the Wimmera Mallee,… Read More
Early in 2016 I made a road trip to the Wimmera Mallee in Victoria. I was intrigued by this montage of old petrol and oil signs around Horsham that signified an earlier of motoring–some are prior to 1945. Veedol, for instance, was the motor oil chosen by Henry Ford to be the used in the Model “T” which was the world’s first mass-produced car. Veedol motor oil signs now sell on ebay as… Read More