In a couple of days I am off on a roadtrip to Balranald in NSW for a winter photocamp with Gilbert Roe. I need to make some photos for the forthcoming exhibition at the Murray Bridge Regional Gallery in February 2019. I am squeezing the roadtrip inbetween finishing working on the photos for the SALA festival exhibition and the opening of the actual exhibition with Stuart Murdoch on the 3rd August at the… Read More
The exhibition at the Swan Hill Regional Art Gallery has finished, and Gilbert Roe and I decided to add on a photo-camp at Lake Boga when we picked up our prints from the gallery. The photo-camp, even for a few days, would allow us to explore the Mallee region around Swan Hill, and to build on the new beginnings that had we had either briefly scoped or seen whilst we were in Swan Hill… Read More
The post’s title new beginnings refers to me starting to scope work for the 2018 section of the Mallee Routes project whilst I was at Swan Hill for the exhibition at the Swan Hill Regional Art Gallery. This is new work for the upcoming group exhibition at the Murray Bridge Regional Gallery in early 2019. I want to present new work that has been made during 2018, rather than old… Read More
Exhibiting Mallee Routes at the wonderful Swan Hill Regional Art Gallery in Victoria opened on Friday the 23rd March, was a great experience. The exhibition was the result of a years work photographing the South Australian and Victorian Mallee by Eric, Gilbert and myself Mallee after our initial exhibition at Atkins Photo Lab in Adelaide in late 2017. It was a successful opening with Mark Thomson giving an excellent opening speech based around… Read More
The history of water in the 20th century was one of piping water to the storage dams located across the region via the earthen, gravity-fed Wimmera Mallee Domestic and Stock Channel System. This system extended from the Grampians in central western Victoria to Ouyen and Manangatang in the north, Underbool in the west and Korong Vale in the east.
Can trauma be connected to a topographic approach to photographing the Mallee? I have been mulling over this whilst I put the Mallee Routes project aside for a month or so, so that I could work on the Adelaide Photography 1970-2000 book, which is to be produced by Adam Dutkiewicz and myself for Moon Arrow Press in 2018. The Adelaide Photography project has been kickstarted, as it were, and the break has been beneficial. The… Read More
This scoping photo of silos at Birchip in the Wimmera Mallee is a deadpan image of an unexpressive and repetitive subject that appears impersonal, blank and boring. It repeats the same idea–silos in the landscape— in different ways. It avoids the artistic subjectivity and narrativity represented by photojournalism. There is no event in the picture and there is little human interest.
In late July Gilbert Roe and myself had a 5 day camp at Lake Lascelles in Hopetoun, which is in the northern western part of the Wimmera Mallee in Victoria . It was a winter camp and it was very cold at night with sub zero temperatures in the early morning. On the last morning of the camp there was heavy fog in Hopetoun, which meant a midday departure, since the tent’s fly… Read More
People are leaving the countryside and moving to the more prosperous towns and cities. As young people depart, they leave small towns and hamlets of empty houses and shuttered shops, of closed schools and cafes, and a greying population.
One innovative representation of the Victorian Mallee that I came across whilst on the Hopetown phototrip in 2016 was the murals that were being painted on the silos throughout the Victorian north-west Mallee. One notable example was the mural on GrainCorp’s disused silo at Brim, which had been painted by the Brisbane street artist Guido van Helten in collaboration with the local community. This site has become a tourist icon in the Wimmera, judging by the number… Read More