roadtrip to Balranald, NSW

In a couple of days I am off on a roadtrip to Balranald in NSW  for a winter photocamp with Gilbert Roe.  I need to make some photos for the forthcoming exhibition at the  Murray Bridge Regional Gallery in February 2019. I am squeezing the roadtrip inbetween finishing  working on the photos for the SALA festival exhibition  and the opening of  the actual exhibition  with  Stuart Murdoch on  the 3rd August at the… Read More

Lake Boga photo-camp

The exhibition at the Swan Hill Regional Art Gallery has finished,  and Gilbert Roe and I  decided to add on a photo-camp at Lake Boga when  we  picked up our prints from the gallery. The  photo-camp, even  for a few days,  would allow us to explore the Mallee region  around Swan Hill,  and to build on the new beginnings that had we had either briefly scoped or seen whilst  we were in Swan Hill… Read More

new beginnings

The post’s title new beginnings refers to me starting   to scope work for  the 2018 section of the Mallee Routes project whilst I was  at Swan Hill for the exhibition at the Swan Hill Regional Art Gallery.    This is new work for the  upcoming group exhibition at the Murray Bridge Regional Gallery in early 2019. I want to present new work that has been made during 2018, rather than old… Read More

exhibiting Mallee Routes at Swan Hill

Exhibiting  Mallee Routes  at the  wonderful Swan Hill Regional Art Gallery in Victoria  opened on Friday the 23rd March, was a great experience.   The exhibition  was the result of a years work photographing the  South Australian and Victorian Mallee by Eric, Gilbert and myself Mallee after our  initial exhibition at Atkins Photo Lab in Adelaide in late 2017. It was  a successful opening with Mark Thomson giving an excellent opening speech based around… Read More

history of water in the Mallee

The history of water in the 20th century was  one of piping water to the storage dams located across the region via the earthen, gravity-fed Wimmera Mallee Domestic and Stock Channel System. This  system extended from the Grampians in central western Victoria to Ouyen and Manangatang in the north, Underbool in the west and Korong Vale in the east.

topographic photography + trauma

Can trauma be connected to a topographic approach to  photographing the Mallee? I have been mulling over this whilst  I put the  Mallee Routes  project aside for a month or so,  so that  I could  work on the Adelaide Photography 1970-2000 book, which is  to be produced by   Adam Dutkiewicz and myself for Moon Arrow Press in 2018.  The Adelaide Photography project  has been kickstarted, as it were, and the break has been beneficial. The… Read More

In Birchip: reflections on landscape photography

This scoping photo of silos at Birchip in the Wimmera Mallee is a deadpan image of an unexpressive and repetitive subject  that appears impersonal, blank and boring. It repeats the same idea–silos in the landscape— in different ways.  It avoids the artistic subjectivity and narrativity represented by photojournalism.  There is no event in the picture and there is little human interest.

Hopetoun revisited: water

In late July Gilbert Roe and myself  had a 5 day camp at Lake Lascelles in Hopetoun,  which is in the northern western part of the Wimmera Mallee in Victoria  . It was a winter camp and it was very cold at night with  sub  zero temperatures in  the early morning. On the last morning of the camp there was  heavy fog in Hopetoun, which meant a midday  departure, since  the tent’s fly… Read More

de-population

People are leaving the countryside and moving to the more prosperous towns and cities. As young people depart, they leave small towns and hamlets of empty houses and shuttered shops, of closed schools and cafes, and a greying population.

painting the silos

One innovative  representation of the Victorian Mallee that I came across whilst on the Hopetown phototrip  in 2016  was the murals that were being  painted on the silos throughout  the Victorian  north-west Mallee. One  notable example was the mural on GrainCorp’s disused silo at Brim,  which  had been  painted by the Brisbane street artist Guido van Helten  in collaboration with the local community. This site  has become a tourist icon in the Wimmera,  judging by the number… Read More