I noticed this silo when I was driving from Lameroo to Karoonda on my way back to Victor Harbor after the silo photoshoot at Lameroo. It was near a little hamlet or settlement called Kulkami in the southern Mallee. There was no railway line near the silo. It was late in the afternoon and the burst of sunlight had gone by the time that I’d walked around the fenced area to find the right position or perspective to photograph… Read More
The various images in this portfolio are of the South Australian and Victorian Wimmera Mallee. They have been taken with a variety of film cameras over a number of years. The first four black and white images are from my archives, and they made in the 1980s. The cameras used are primarily medium and large format (5×7 and 5×4).
Today these war memorials embody the Anzac Legend, which continues to lie at the centre of Australian identity. The Anzac Legend holds that Australian War Memorials represent the soul of the nation. The Legend’s current function and place within Australian culture is that of a creation story: it distills the Australian identity in one historical moment–the nation was born on the battlefields of Gallipoli. It is a creation story— nations are made in war—-but one that excludes the Frontier Wars in our Anzac Day commemorations.
Although it is the grain silos along the old railway lines that dominate the landscape in the Mallee, the odd-looking, elevated water towers also stand out in the regional landscape.
The decaying and empty houses in the dying small towns is one of the most obvious features of the Mallee in South Australia and Victoria, and it is largely the result of the de-population of the inland countryside that started in the late 20th century around the 1970s. An era was coming to a close.
One notable aspect of the Mallee in the Murray-Darling Basin is that, apart from the various national parks, it primarily consists of agricultural landscapes, small towns, and minimal, scrappy native vegetation along the side of the roads.