With the initial exhibition of the Mallee Routes project Atkins Photo Lab finishing at the end of November I interrupted the archive project I was working on to go on a photo roadtrip to Hopetoun to build up my archive for the next exhibition, which has been planned to take place in 2017. Two overcast days after a big storm provided me with an opportunity to spend several days in the Wimmera Mallee,… Read More
I have a phototrip to the Victorian Mallee planned around the 12th-15th November. The trip is in two parts: a camp at Murrayville on the Mallee Highway on my own for two days so that I can continue to work on the silo project and to look around the area for the Mallee Routes project, and then a camp at Hopetoun with Gilbert Roe and Eric Algra so that I can explore the… Read More
The various images in this digital gallery or portfolio are of the South Australian and Victorian Mallee. They have been taken with a digital camera on various road trips. Though I mostly use a digital camera to scope images for my film photos in the Mallee Routes project, sometimes these digital sketches stand on their own. Often the sketches are better than the subsequent film images, primarily because I happened to… Read More
Early in 2016 I made a road trip to the Wimmera Mallee in Victoria. I was intrigued by this montage of old petrol and oil signs around Horsham that signified an earlier of motoring–some are prior to 1945. Veedol, for instance, was the motor oil chosen by Henry Ford to be the used in the Model “T” which was the world’s first mass-produced car. Veedol motor oil signs now sell on ebay as… Read More
This archival gallery provides the historical context, and reference point, for the contemporary images in the other Mallee Routes’ galleries. Most of these archival photos of the history of the Mallee were found in the National Library of Australia’s Trove collection or the Victorian State Library. One valuable resource in this archive is the Bill Boyd Photographic Collection in the Museum Victoria Collections. Most of the vernacular photographs in the Boyd collection were taken between… Read More
I have another Mallee trip planned in early November with my base camp being at Murrayville. So I took the opportunity whilst traveling along the Calder Highway between Ouyen and Mildura to rendezvous with Judith Crispin to go to Lajamanu in the northern Tanami Desert to do a little exploring and photographic scoping. As I hadn’t been on the Calder Highway before so I was interested in seeing what this part of… Read More
We–Gilbert Roe, Eric Algra and myself-— are having an exhibition at the Atkins Photo Lab gallery opening October 7th, 2016. This is a kick starter exhibition for the project, as it were. We each have an individual section in the gallery for our images and a common space of shared images. It will be minimal from my perspective–I have the least number of the images in the exhibition- only 5 images— but I do have a number… Read More
I noticed this silo when I was driving from Lameroo to Karoonda on my way back to Victor Harbor after the silo photoshoot at Lameroo. It was near a little hamlet or settlement called Kulkami in the southern Mallee. There was no railway line near the silo. It was late in the afternoon and the burst of sunlight had gone by the time that I’d walked around the fenced area to find the right position or perspective to photograph… Read More
The various images in this portfolio are of the South Australian and Victorian Wimmera Mallee. They have been taken with a variety of film cameras over a number of years. The first four black and white images are from my archives, and they made in the 1980s. The cameras used are primarily medium and large format (5×7 and 5×4).
Today these war memorials embody the Anzac Legend, which continues to lie at the centre of Australian identity. The Anzac Legend holds that Australian War Memorials represent the soul of the nation. The Legend’s current function and place within Australian culture is that of a creation story: it distills the Australian identity in one historical moment–the nation was born on the battlefields of Gallipoli. It is a creation story— nations are made in war—-but one that excludes the Frontier Wars in our Anzac Day commemorations.