The exhibition at Murray Bridge Regional Gallery in South Australia has been shifted to 2019/2020 and it has been given larger space–the main gallery. The exhibition is a summing up exhibition of the 1st 3 years of the collaborative Mallee Routes project between Eric Algra, Gilbert Roe and myself.
This kind of late photography in the era of television and newer technologies turns up late, wanders through the places where things have happened, and explores the effects of the activity of a world gone. Though people are absent in this photography of traces, fragments, empty buildings there is a lot of remnants of activity
On my last photocamp at Balranald I photographed in and around the Yanga Station including the Woolshed and the homestead.
I leave for another road trip to Balranald early Tuesday (11th September) morning. I need to build up some large format images for the forthcoming collaborative Mallee Routes exhibition at the Murray Bridge Regional Gallery early in 2019. I just don’t have enough work for this last collaborative exhibition, and I need to make the pictures before it becomes too hot to photograph in the northern Mallee. I plan to camp… Read More
The winter photocamp at Balranald with Gilbert Roe consisted of photographing on the property of John and Marita Standen’s Rosenhoe farm, which is on the Wakool River, and scoping the area around Balranald itself, which is is located in Mutthi Mutthi traditional country. I would have liked to extend the photocamp to do more exploring and some large format photography, but I had to return to Adelaide to prepare for the Collaboration: Interrogating Melbourne’s changing urban… Read More
In a couple of days I am off on a roadtrip to Balranald in NSW for a winter photocamp with Gilbert Roe. I need to make some photos for the forthcoming exhibition at the Murray Bridge Regional Gallery in February 2019. I am squeezing the roadtrip inbetween finishing working on the photos for the SALA festival exhibition and the opening of the actual exhibition with Stuart Murdoch on the 3rd August at the… Read More
The exhibition at the Swan Hill Regional Art Gallery has finished, and Gilbert Roe and I decided to add on a photo-camp at Lake Boga when we picked up our prints from the gallery. The photo-camp, even for a few days, would allow us to explore the Mallee region around Swan Hill, and to build on the new beginnings that had we had either briefly scoped or seen whilst we were in Swan Hill… Read More
I leave Encounter Bay tomorrow for a 5 day photocamp at Morgan in South Australia with Gilbert, even though it is a little late in the year to be photographing in the SA Mallee. I haven’t been able to get away on a phototrip to the Mallee as I’d previously planned, due to the need to kickstart the Adelaide Photography 1970-2000 book. I am hoping that the weather in early November is… Read More
Can trauma be connected to a topographic approach to photographing the Mallee? I have been mulling over this whilst I put the Mallee Routes project aside for a month or so, so that I could work on the Adelaide Photography 1970-2000 book, which is to be produced by Adam Dutkiewicz and myself for Moon Arrow Press in 2018. The Adelaide Photography project has been kickstarted, as it were, and the break has been beneficial. The… Read More
This scoping photo of silos at Birchip in the Wimmera Mallee is a deadpan image of an unexpressive and repetitive subject that appears impersonal, blank and boring. It repeats the same idea–silos in the landscape— in different ways. It avoids the artistic subjectivity and narrativity represented by photojournalism. There is no event in the picture and there is little human interest.